Fantasy Images

These images from nature have been altered to tell a story and illustrate a concept.

Images that began on film have been scanned into a computer, then combined together and manipulated to appear as though the two or three separate original images actually occurred together.

Take this image for example. The part of the anemone we are looking at is about 15 cm across, and the shrimp is perhaps 5 cm long. Yet the little girl peeking around the tentacles is really over 150 cm tall.
Or in this example, the little fish is a tiny acanthemblemariid with a head that is probably no greater than 0.5 cm across, and the little girl appears to be seated on two of the cactus coral polyps.
In this intriguing picture, three images have been combined to give the impression that she is trapped in a coral cave, and threatened by a large Nassau grouper.

Just beside us is a fantasy mermaid gently caressing the tentacular crown of an undersea Christmas tree worm.

Here the little girl appears to have touched the polyps of a gorgonian and is not terribly impressed by the yucky feel of the slimy polyps.

Can you figure out how we placed her behind and in front of the gorgonian?

Once you have the images, it is also possible to play with them, much as an artist might do with sculptures or paints, to interpret a meaning or deliver a message.

In this case, I chose to simplify the image and emphasize the textures and shapes in an animated bas relief interpretation.

Here is another interpretation. In this one, I traced the edges of the imagery in solarized colours, then allowed the original image to bleed through, giving the entire picture an ephemeral delicate tracery.
It is also possible to give an image a painterly look. In this image of a polar bear (actually it was taken in the zoo at Toronto), I removed all the offending background and replaced it with a subtly mottled snow-blue, then created a watercolour impression of the bear.
Or in this picture of the same bear, taken through the window of the aquarium in the zoo, I have used the painting feel to emphasize the motion and shapes, while de-emphasizing the details of the concrete background. The slanting light provides a powerful impression of depth.
Don't forget, if you like what you see and are interested in acquiring images, or even in having us help you interpret your own images, send us an e-mail: media@kivu.com

Contact us: home@kivu.com